Thursday, June 6, 2013

It Happened One Night - 7th Best Picture Winner

1934
#65

Starring:
Clarke Gable
Claudette Colbert

Directed By:
Frank Capra

1934 Academy Awards
Winner:
Outstanding Picture
Best Actor
Best Actress
Best Director
Best Adapted Screenplay (or Best Writing, Adaptation)

The Barretts Of Wimpole Street
Cleopatra
Flirtation Walk
The Gay Divorcee
Here Comes The Navy
The House Of Rothchild
Imitation Of Life
One Night Of Love
The Thin Man
Viva Villa!
The White Parade


The classic rom-com. I dare say one of the best, even 79 years later. Gable and Colbert are wonderful with each other, though Gable clearly steals every scene. You can see here why years later they'd want him for Rhett Butler. Some of the looks he gives Colbert speak so much without word, you can almost hear what he is thinking.

This isn't one of the movies on the list that I'd ever seen before, but so many people know of it for one little scene - Gable's Peter Warne and Colbert's Ellen Andrews are trying to hitchhike on the road after running away from the Greyhound bus they had been on because the investigators her father had hired to find her would be closing in on them soon. He tries to seem like he knows all about hitchhiking, telling her there are different types of sticking your thumb out and they all say different things about you. But try as he might, all of the passing cars just go right by them...so she gives it a try.

Along comes a car and she...hikes up her skirt. 

Very racy for 79 years ago! 

Of course you know it works too!

And it's such a classic that's so many others have used it or a take on it.

This was the first movie to win the "Big 5" Academy Awards - Picture, Actor, Actress, Director, and Writing (Adaptation)

Interesting to note that this won against the movie version of The Gay Divorcee, a Rogers/Astaire picture that is just as well known for it's Cole Porter, "Night and Day" song and dance number.
.
Its also refreshing to see a rom-com that, since it's from 79 years ago, when thoughts on sex and sex scenes in movies were a LOT different, that we have a couple thrown together who sleep in separate beds and don't get together until the end of the movie - after they are married! A bit "old fashioned" I know, but proof a good story doesn't always need to go there. Such things are almost a crutch in the movies of today, that are so unsure they have a good story, they feel they need to throw skin shots into the film or no one will like it.

Cavalcade - 6th Best Picture Winner

Cavalcade - 6th Best Picture Winner
1933

Starring:
Diana Wynyard
Clive Brook
Una O'Connor
Herbert Mundin

Directed By:
Frank Lloyd

1932 - 1933 Academy Awards
Winner:
Outstanding Production
Best Director
Best Art Direction

Other Films Nominated:
A Farewell To Arms
42nd Street
I Am A Fugitive From A Chain Gang
Lady For A Day
Little Women
The Private Life Of Henry VIII
She Done Him Wrong
Smilin' Through
State Fair


So...the one I have to skip. This movie is currently not available on any region 1 DVD, though I have seen rumor that it will be released on Blu-ray soon. But from the reviews I've seen, I'm not sure I will go back and watch it. Seems that it isn't that well liked.

Apparently based on a Noel Coward play of the same name, it is the story of well off Londoners from New Years Eve 1899 through New Years Day 1933.

Thursday, May 23, 2013

Grand Hotel - 5th Best Picture Winner


1932
#60

Starring:
Greta Garbo
John Barrymore
Joan Crawford
Wallace Beery
Lionel Barrymore

Directed by:
Edmund Goulding

1931-1932 Academy Awards
Winner: Best Picture
It should be noted that as of 2012, it is the ONLY picture to win Best Picture without anyone else involved in the production or the production itself being nominated for other awards.)

Arrowsmith
Bad Girl
The Champ
Five Star Final
One Hour With You
Shanghai Express
The Smiling Lieutenant 

The film is based on a stage play of the same name which, in turn, is adapted from the 1929 German book Menschen im Hotel by Vicki Baum.

We begin...

The phone bank. Lots of calls, each operator very busy. 

We are in the lobby areas of a very large hotel, with visitors as well as semi-permanent residents all bustling about. 

So this will be an anthology film - multiple stories that are woven together by some point shared by all. The hotel. (According to Wikipedia, this may be the first.) 

Story 1 - Door man - wife having baby
Story 2 - Sick man - spending all his money before he dies
Story 3 - The general director (the businessman) calling home on business. He's there for a business meeting. He's asked for a stenographer. 
Story 4 - The maid for the ballerina. She cannot rehearse today. 
Story 5 - The baron, plotting something and in need of money

The doctor,  he laments that nothing ever happens here. 

The stenographer comes a little to early. Oops. 

Our stories begin to cross. To weave together. The baron talking to the sick man, the stenographer talking to the baron. The baron talking to the stenographer. They flirt. Life in the hotel. 

We aren't above the innuendo... "Would you take dictation from me someday?" 

The ballerina that doesn't want to go on. She is weary and tired of it all. There is no applause any more. She doesn't think it worth it anymore to go on, but when told there is an audience, she will go on

Turns out our baron - he's after the ballerina's pearls that she's left behind. 

Our stenographer is working for the businessman. But maybe his business isn't going the way he wants to. 

And now our baron is going in for the heist...
Only to be stuck and having to hide because the maid comes in.

Oh but now the ballerina is back. Seems she didn't actually go on. And they are worried about her. We see just how weary she is here. (Her apparently famous line) "I just want to be alone."

Meanwhile, trapped in the closet...

She finds that someone went on in her place. The show must go on. Maybe she isn't the best anymore. Maybe she is done. Its over. She contemplates killing herself. 

But the baron stops her. He cant let her end it. He confesses his want to hold her in his arms (the old euphemism for love and sex lol)

He knows she really doesn't want to be alone. She needs someone. 

The sick man and the doctor have had a good time, living it up! 

The business meeting. But the businessman isn't saying that the merger with the other company is off...he's trying to make things happen without needing them. But the others aren't buying it. 

Our ballerina and baron are chatting...and he reveals himself. He is a thief...but he is in love with her.

She loves him back anyways
She tells him about heading to Vienna and he vows to be on that train with her

The business meeting has devolved into arguing about who was the one that approached who about the merger. A stalemate. 

The deal is off.

So he lies and says the other merger is on. These men change their tune! But they don't know the lie - and only then does he tell his partner! They will have to figure out how to keep it secret. But what about that stenographer? She knows!

The sick man has had the time of his life. Plenty of alcohol and adventures! 

Our baron is now stepping out with the stenographer. But he's changed. He's in love!

The the businessman doesn't recognize our sick man - but the man works for him. No matter, the man  needs to go off and dance with the stenographer.

But now there is an altercation. The businessman is rude to the sick man - but now it comes out. The horrible treatment of the workers. He's working himself to death! He tells the man off after he tries to fire him.

"No one can discharge me now I am my own man!"

The businessman wishes to employ the stenographer on a trip. But she will need money. 

The baron promises the ballerina he will be there...but he is broke.

The sick man asks if he can help. But of course its not enough. But maybe they can get a game going...

But the sick man is a better gambler. He wins, the baron loses

"Oh gentlemen, please don't go. Be my guest. Be my guest! I beg of you, don't go I know I oughtn't to presume, but I'm so grateful to ya, you've been so marvelous. For the first time in my life, I've gambled and I've drank! Oh you gentlemen can laugh, but for the first time in my life I've tasted life! Life is wonderful but its very dangerous! If you have the courage to live it's marvelous! You don't know anything about that, you're all healthy and happy but I, believe me, if a man doesn't know death, he doesn't know life!"

The baron sees the sick man's wallet...he takes it.

But the man realizes its gone.

Baron lies. The man is distraught. The baron can't keep it. His conscious can't let him hide it.

The businessman...maybe this hiring the stenographer isn't just business...he tries to get handsy...but she easily brushes him off...and he sees in the next room...

The Baron is trying to rob him...

He threatens to arrest him. They fight and the stenographer hears it...the baron...he is...
dead
she screams
runs out for help
the ballerina and party don't know there is anything wrong
she gets the sick man
the businessman tries to get away
he is for sure dead
the businessman blames it all on him he tried to rob me! And where is the girl? She's in on it that's it! she lured me to her!
we need to get our stories together! I cant have scandal!
my life is in your hands!
ah yeah but what about when it was the other way around? 
but but I can help you! Give you a good position!

"NO! I'm never going back! Worry about yourself!" 

The staff is alerted

The ballerina is giddy.
But its too quiet...

"All these flowers make me think of funerals..."

She rings the baron. He isn't there to answer. But she doesn't know he won't ever be.

Where can he be?

They take him away...
The businessman is arrested

There's been a murder? Oh no not him! Why? No I can't believe it!

Madam mustn't know!

The sick man, the stenographer, they grieve. 
"You loved him didn't you.
Me too. He was my friend when no one else was. He was just desperate."

Oh let me help you. We can travel! 
You can have the rest of the money when...when I'm gone.  
NO! We'll find a doctor. They can cure anything

First train to Paris! We'll go

The ballerina, she is leaving. But yet they say nothing. 
"Where is he?"
"He...left about an hour ago."
"Forget it I will ask myself."

"Have you seen him?"
"He is not here madam."
"Is he gone?"
"Yes madam"

Oh come now. We have a rehearsal! We must get to the train

The Grand Hotel! We've made it!
The hospital! What? What? WHAT? Its a boy! My wife is well!
We're gonna miss the train! I'm coming!

'The Grand Hotel. Always the same. People come, people go, nothing ever happens.'


Films like this can be hard to follow. It takes a good story and the right people,acting and behind the camera, to make it work right. Is it any wonder that "Grand Hotel theme" was used to talk about films in this style? I admit though, I needed to write down all of what was going on so I could pay attention and not miss anything! 
(Forgive me please how this came out as a blog. With all the story lines, this kind of came naturally as a recap of it.)

Cimarron - 4th Best Picture Winner


Cimarron - 4th Best Picture Winner
1931
#50

Starring:
Richard Dix
Irene Dunne

Directed By:
Wesley Ruggles

1930 - 31 Academy Awards:
Winner:
Outstanding Production
Best Writing, Adaptation
Best Art Direction

East Lynne
The Front Page
Skippy
Trader Horn


So here's what I know before I watched it. It's a western. According to the sleeve it was a book by a woman. (Edna Ferber) First Western to win BP. Released in 1931. And sounds incredibly boring. I'm not the biggest fan of Westerns...
And I thought this was about a horse? Oh right...different movie.

Wow. This is boring. Like very. Oh and let's not forget the black mammie and nappy haired child with the heavily broken and slangged speech and "dirty" "Injuns" and the beginning of every Western trope out there...
Oh and he lead actor with so much makeup on he looks like a woman. Hell he's got on more makeup than the real woman do!
Oh and they named their son Cimarron...
Oh and I'm not sure if that guy was a dark Caucasian or a Hispanic...
And the "whores" going to church and being talked about...
Because yes its possible to shoot someone when the gun never goes 6 inches from your hip...
And the "whore"  is trying to redeem herself...

Now our lead runs off on the adventure of claiming land, not happy with the world he has with the wife and kids...
Leaving her to write and run the newspaper
And apparently he joined the Army at some point. Helped liberate Cuba.
Now he's the noble hero defending anyone's honor. Just got home now he's defending the local "whore" from the small minds of the town.

Apparently there isn't anything this man cant do...
Oh and hes got three stripes and a diamond. Hes got to be at least a sergeant now too I think?

Jump a head from 1898 to 1907

Now we have the oil drilling
The daughter is a brat
The son is horror of horrors dating the hired "Injun" girl and intends to marry her
Our hero is running for governor
And wont endorse any plan to take the land and oil from the Indians

He even wants to give the "red man" citizenship and the right to vote!

Now its 1929
His name is still on the masthead but he hasn't been around for years and doesn't write home. He's still off on adventures
Oh but now the Mrs has become a State Congresswoman!

One good line here at the end - the old lady that was always the gossip and bragged about her ancestor that signed the Declaration once again tells the Jewish man about that as to why he wasn't considered for a spot on the committee because he wasn't from a historical family. His retort?
"One of my ancestors, named Moses, he wrote the Ten Commandments!"

And while she is in the city there is an accident at the oil rigs and an old drifter that works there is killed....they call him "old Yan" - she runs to him realizing that it is her husband, dying heroically to the end.

Honestly the plot here is just the wife dealing with the dude's comings and goings. Not really much of an actual plot. So how the heck did this win best picture? About the only good part of this whole film is showing just how strong she is. Dude was a lousy husband more concerned with his own adventures than the welfare of his family.


The best part of the whole movie? The other things included on the disc, which I assume are connected to the movie in some way, though I'm unsure as to how, though most things I find it just seems like they were randomly combined.

A Merry Melodies cartoon - Red Headed Baby 
Porky Pig before he was Porky! All about toys that come to life. A doll that sings Red Headed Baby. (The negative here is the black face doll. But that was acceptable at the time.)


There is also a short on the disc - "The Devils Cabaret"
Very surreal. The devil lamenting too many people going to heaven and not coming down to them. He sends his representative up to earth to attract more people with the "evils" of "hot music" and "the devils toys" and dancing. Not much survives to be known about this short, other than it was apparently taken from a never-produced musical. 


Both of these are pre-Hayes code. No would the 2nd short EVER have been allowed after that until I'd gather sometime in the 50s or 60's when people started to criticize the censuring of the arts. I really like it and then to think it came from 1931? Wow. Mind blowing! One wonders what else would've been produced had Hollywood not had a bout of morality. And its in early two-tone Technicolor too! 

What's sad is that while both of these are on YouTube, there is only one copy and I'm sure not many people know about them. Sad to see such gems from movie past so forgotten.

Monday, April 15, 2013

All Quiet On The Western Front - 3rd Best Picture Winner


1930
#48

Starring:
Louis Wolhiem
Lew Ayres

Directed By:
Lewis Milestone

1929-30 Academy Awards
Winner:
Outstanding Picture
Best Director

Other Films Nominated:
The Big House
Disraeli
The Divorcee
The Love Parade

So, this is the first of these Best Picture winners that I have previously seen. Being such an old film, this is, of course, in part to my father - this was one films that he had in his collection that was borrowed by one of my high school teachers for the class to watch. (Possibly in 11th grade)

This is the first Best Picture winner to take its story from a book, in this case of the same name, and published in 1929. It was the second “talkie” to win for Best Picture, the first war talkie to win. It is still seen today as a great epic and powerful film because of its honest portrayal of the horror of war.


As I write this, I have the movie playing in another pane on my screen. I can see most of the image though I admit Im listening more than watching. At the moment Im about 45 minutes into it. Here's the thing. I had to pause it about 30 minutes in because of the breaking news in the real world. Bombs going off at the finish line of the Boston Marathon. The eerie part? They apparently went off just around the time I started watching the movie. 

I'm not a runner. I know a few, have a few family members that like it. Heck I didn't even know that today was the Boston Marathon. (Honestly I didn't know they ran it on a weekday. Always thought those things were Saturday/Sunday events...) I thank the Lord I don't know anyone that was there as a runner or as a spectator. 
And I find that I'm oddly desensitized to what's going on. Sure I was basically following the breaking developments on Twitter - heck that's the first place I turned. And I told my dad what was going on and about the reports of how many had gotten hurt. But I find myself only mildly surprised at what's happening and the fact that I've got a war movie playing in the background - I'm almost indifferent. (Though I did have to turn in down because of how loud the explosions seemed) Seeing a picture of the scene with blood on the sidewalk and when I should be horrified, I just repost the picture and move on.

This movie isn't some love story. Its war. Bright, young, idealists thinking they are doing their patriotic duty that come to find the harsh realities of being on the front line - stuck in bunkers and holes in between times of fighting. Losing your friends and fellow soldiers in horrible deaths. Dying of sickness and injuries if you manage to survive getting hurt on the line. Not getting enough food or anything you really need if you manage not to get hurt. 

I stopped the movie again. I'm now at an hour and 11 minutes in. I'd closed Twitter and FB for a bit, figured things were quiet for a second. Now I see the reports of a possible 3rd explosion. More suspected and confirmed devices found. The growing list of the injured.

But now I'm marveling at how connected the world really is. Just a mere 2 hours from the time of the first explosions, there has been plenty of video and now still images coming in from all around the area. And the growing group of those hearing about what has happened from all around the world and who have come to social media to check on friends, family, or just offer general condolences to the world at large.

Whatever this turns out to be, we are all affected.

I understand why this movie was given its awards, nominated to Best Of lists time and time again over the years. It is part of the long history of what media can do when treated not just as entertainment but as a way to show the truth and give everyone a reality check. While yes, they are acting, they didn't actually die, the explosions are fake and sometimes just sound effects, it still speaks to something in every person. 

We may not fight on the front lines, but when war and fighting happens, we are all affected. 

I can't speak to knowing how to stop violence, honestly I can't see that it will ever stop. People will still clash over ideas and beliefs and some will go so far as to think that hurting those that are different or believe different is the best way to change something, no matter how many times and in how many different ways the world has been shown time and time again that violence doesn't work out how those that perpetrate it plan it to. 

More so I think it is our response to violence and those that have different ideals that will change things in this world.

Case in point - I did not vote for the man, do not think he should have his job, but I agree with him on this - 
"On days like this there are no Republicans or Democrats. We are Americans, united in concern for our fellow citizens." - Barack Obama

Saturday, April 13, 2013

The Broadway Melody of 1929 - 2nd Best Picture Winner



Starring:
Anita Page
Bessie Love
Charles King
Jed Prouty
Kenneth Thomson (uncredited)
Directed By:
Harry Beaumont
1928-29 Academy Awards
Winner:
Outstanding Picture
Other Films Nominated:
Alibi
The Hollywood Revue of 1929
In Old Arizona
The Patriot

Our story is, like the plot of Wings, one that is old. That of trying to "make it" somewhere. In this case, two performing sisters, the Mahoneys - Harriet “Hank” and her younger sister Queenie, come to NYC to try and make it on Broadway. The film chronicles some of what they go through working in the theater.
Hank’s fiancĂ© Eddie is an actor and a singer and has brought the girls to New York to be part of a revue about to open, though their Uncle Jed would like them to go back out on the road with an offer of a 30-show job. When Eddie sees Queenie, now grown up since he last saw her, he falls for her but she knows her sister is in love with him and so won’t allow it to happen. Eddie brings them to a rehearsal and gets them an audition for the show but when the director only wants the younger, prettier Queenie, there is trouble. She refuses to work for him w/out her older sister so he hires both. Eddie sees what Queenie does for her sister and he falls for her even more. When the number in the show with both sisters is cut, Queenie is given a bigger role when another girl gets hurt. She captivates everyone and catches the eye of an investor on the show, Jock Warriner. As she begins to spend more time with him, partly in an effort to hide her feelings for Eddie, Hank and Eddie warn Queenie about him because they know that Jock is only interested in her for her looks and isn’t the kind of man that marries.
When Queenie lashes out at Eddie for his criticism of Jock and runs off, Hank realizes that her sister and fiancé are in love with each other and tells Eddie that she never really loved him so that he will go after Queenie. Once he leaves, she has an emotional breakdown but eventually calls their Uncle Jed to accept his job offer.
Later, Hank decides to hold a surprise party for Queenie’s birthday but Queenie goes to a lavish party Jock set up for her in the new apartment he has bought her. Jock insists they should be alone for a while and tries to make and advance on her but she resists. He claims that she “owes” him for everything and tries to force her but Eddie comes to her rescues and tries to fight Jock. They tussle but Jock wins and throws Eddie out. He takes off and Queenie throws everything back at Jock and goes with Eddie.
Some months later, the newly married Eddie and Queenie come back to see Hank and her new dance partner off as they set out on the road with their act.

Ok. So...how did this beat out all the others to be the best picture winner? Honestly it isn't that great. Didn't feel grand or fresh or honestly worthy of high awards. According to my research *coughWikipediacough* the film’s original release also included an early, two color (red and green) Technicolor sequence for the “Wedding Of The Painted Doll” song number but this sequence no longer survives with any known copy of the film. A quote Filmsite.org in the Wiki article on the movie also suggested that the films nominated that year were all rather weak because of the silent to sound transition and that this may also account for the film’s award win. 

I admit that some 84 years later it may not feel to me to be so wonderful because I simply have a different standard. But honestly, I dun get it.

*shrugs*

Saturday, April 6, 2013

1927
#26

Starring:
Clara Bow
Charles "Buddy" Rogers
Richard Arlen
Gary Cooper
Directed By:
William A Wellman

1927-28 Academy Awards
Winner:
Outstanding Picture
Best Engineering Effects

Other Films Nominated:
The Racket
Seventh Heaven

The first ceremonies where held in 1929 and all films produced in 1927 and 1928 were eligible. The film industry was still young. Films like The Jazz Singer, (released in 1927) one of the most famous of the first "talkies" would eventually become more widely produced (which by today's standards would.be considered racist because of the use of black face, which at the time wasn't considered bad) But the market was still full of silent films, which in place of spoken dialouge that you could hear, used "cards", that one had to read, every so often so that the audience knew what was happening, thought the actors still acted their parts on screen as if they could be heard. The cards also allowed scene changes to be explained.

Now I've seen parts of a number of silent films over the years but I've never actually sat and watched one on purpose by myself, so this would be he first.

I admit that as a movie viewer in current society, I'm not particularly used to having to always pay attention to the screen. We have become so used to multitasking that even when we sit in the theater, our attention is not always focused on the movie in front of us. We have distractions, be it our popcorn and M&Ms, our phones, or other people with us. Movie going was different when this film was produced. While going to the theater can be costly these days, its fairly common place, from the time we are small children. When this film was made, movie going was a luxury. An event. One went to a large, single screen theater, likely only to be found in a city. It was an event for adults. Going to a picture show was an experience.

This being a silent flim, I needed to pay attention so as to be able to understand what was happening. I will admit that it was hard for me to do. Even as I was first writing this post, I was watching a movie, granted one I've seen more than a few times, and I wasn't always watching the screen. I was also texting. Another issue was needing to be able to see the screen clearly. I watched this on a dvd player while in bed but having to read the screen meant my glasses need to be on.

The film felt long. I've sat thru plently of movies hat clocked in at the 2hrs 21min of this film but having to read the cards made it seem longer than it really was. That and the traditional Intermission in the film. Most films of this era include one, because going to a picture show was considered to be like going to a play or a show and audiences expected it. It was a theater going experience like any other, just a motion picture show. While watching this, I ended up needing to take an intermission of my own, as I began to fall asleep. I don't consider that a mark on he film though. I was simply tired.

Our story is about 2 men and the women in love with them. They are both sent off to war, in this case World War 1.

Jack is in love with Sylvia. His best friend, Mary, is in love with him but he doesn't realize it and also doesnt see that Sylvia is in love with his rival, David. When both men leave for war, Jack misakenly believes he's got Sylvia's heart as she gave him a token, but the locket with her picture in it was really meant for David.

The men eventually settle their differences and become part of a flying ace squad in Europe fighting the Germans. Jack still doesn't know that Sylvia and David are in love, but David is too kind to say anything, though we do see a letter between he and Sylvia where they speakc of Jack. Meanwhile, Mary gets a job with the war effort in Paris, driving an ambulance. She meets Jack at a club one night when he is quite drunk and has to save him from trouble when everyone is recalled to the front., but he never knows this.

Later, during a flying run while in battle, David's plane is shot down (Jack thinks because David didn't have his lucky token with him, a tiny teddy bear from him mother) and he finds himself behind enemy lines. He is presumed killed in action. However, he eludes the Germans and manages to steal a plane from them but as he gets closer to Allied territory his plane is seen as the enemy. Jack goes up in his plane to take down the enemy, and he severely injures David who is piloting it. When Jack sets down, he cuts the German colors off the plane as a trophy but then discovers it was really his buddy and then mourns for him. With help, he returns David's body to the Allied forces where he is buried. When Jack returns home from the war he goes to David's parents and returns the bear and tells of his bravery. He realizes that he is really in love with Mary, not Sylvia.

The scenario of misplaced affections is an old story but the Oscar worthy part of this film is the action. There are long shots of planes in the air and even some minor "effects" of weapons fire shown which while by today's computer generated effects is laughable but was at the time hard to do because the process involved marking the physical film. There are also battle scenes which required the work of a large extra cast and that felt very realistic. One feels as if they are in the middle of the fighting. The picture as a whole is a grand undertaking and even now one can see why it was judged the best of its time.