Saturday, December 21, 2013

Crash - 78th Best Picture Winner

2004
#152

Starring:
Sandra Bullock
Don Cheadle
Matt Dillon
Jennifer Esposito
William Fichtner
Brendan Fraser
Terrence Howard
Chris "Ludacris" Bridges
Thandie Newton
Ryan Phillippe
Larenz Tate
Directed By:
Paul Haggis

2005 Academy Award Winner:
Best Picture
Best Original Screenplay
Best Film Editing

Brokeback Mountain
Capote
Good Night, And Good Luck
Munich


I find myself watching another Best Picture winner on our movie calendar. This one I don't know much about although I know that it in some way owes itself to another Best Picture Winner - Grand Hotel - as it is along the same lines of multiple characters' lives intersecting. 

The difference? 

This time it's about race. 

How we all treat each other 
How each race views what is happening.

This though, like Cloud Atlas, all wraps back on itself. 

An honest take on how we all see those that aren't like us. 

And how those in power abuse that power when they stop treating people as people and only see the color of their skin. 

Race is a topic that is a sensitive one. While most of us never admit it, we all have a skewed perspective on how our race is treated. We all, in some way, buy into the stereotypes. 

In some way we even live them - though we don't realize it. There are those that perpetuate the stereotype and don't know it - in what they say, what they do. They don't know they've bought into what the world says and thinks. 

Some live the stereotype almost on purpose. To the point where they seem to revel in it. They glorify and perpetuate it. Others see hate and injustice and persecution where there isn't any, out of a sense of what? Entitlement? So bent on expecting it to occur because of the color of their skin that they take any small thing as a sign of racial divide.

And when we are met with someone that doesn't fit into that stereotype, that goes against the perceived societal norm, we don't know what to do. We don't know how to act, to think. Worse yet when we are the one that doesn't fit into what others expect. We only see our life as it is, and don't understand why others have issue with us.

But we all have, at some point, used race as the excuse to hide the real issues. 

Hate. Intolerance. Anger. Fear. Powerlessness.

We deflect what is really happening, what we are really feeling, and instead use slight difference as the blame for our actions and our thoughts. 

But if we removed skin color from the equation? If we all looked the same? 

The film also speaks to the consequences of our actions. What we do to others, what we say, will have meaning. It is not pointless. Every action will cause something to happen to someone else. Every word will cause a feeling or another action which will in turn affect someone else. We joke about what would happen if someone went back 4 million years into Earth's past and killed a butterfly - maybe we'd all have two heads and purple skin. Some call it karma - what you give, what you put out into the world, you will get back. If you make the world a better place, it will be a better place for you. But if you choose to make negative choices, they will eventually come back to you. 

Its only when we do to make things right, to atone for what we did or should've done but did not, that life balances out. 

"Do your little bit of good where you are; its those little bits of good put together that overwhelm the world." - Desmond Tutu

Monday, December 2, 2013

Argo - 85th Best Picture Winner

Argo - 85th Best Picture Winner
2012
#145

Starring:
Ben Affleck
Brian Cranston

Alan Arkin
John Goodman

Directed By:
Ben Affleck

2012 Academy Awards
Winner:
Best Picture
Best Adapted Screenplay
Best Film Editing

Other Films Nominated:
Amour
Beasts Of The Southern Wild
Django Unchained
Les Miserables
Life Of Pi
Lincoln
Silver Linings Playbook
Zero Dark Thirty



So I had intended, had I not found work, to watch all the best picture winners this year, leading up to the most recent winner, Argo. But since August, I've had work, so less time to write. I also took up writing for a Doctor Who fansite, so that took me away as well. 

I never realized that we'd chosen to watch this in December, not long after the anniversary of hostage crisis' beginning and not long before the anniversary of it's end. 

For those of you not alive then (or like me a baby at the time) - the exiled Shah of Iran was allowed to enter the US because he was dying of cancer and was seeking treatment to better his last days. The Ayatollah Khomeini (the leader of Iran who had taken over after the Shah was exiled) and many others thought the Shah should be brought back to the country to stand trial for crimes against the state. 

On November 4, 1979, a number of young extremists took over the US embassy and it's compound and took hostages. Even after the Shah had died, they refused to release those they held. And attempt at rescuing the hostages failed. They were not released until 444 days later, after the Algiers Accords were signed on January 19, 1981, and just minutes after Ronald Reagan was sworn in as the US President. 

A small handful - 6 people - managed to get out and with the help of the Canadian, British, and New Zealand consulates, made it back to the US safe and sound, posing as Canadians in a film crew.  


The reading of the fake script in contrast to the statement from an Iranians is stark and very effective. A good juxtaposition of the real and the fictional. The use of the real news footage from the period is also effective. In ways it helps make up for the historical inaccuracies and dramatic license taken for the film and really helps set the tone of the movie and draw you into the time period of the movie.

Is it sad though, that one of the things I'll most remember about the film is that the storyboards for the "fake" movie were actually done by THE Jack Kirby when the real movie was trying to get made?

Personally, I do still favor Beasts Of The Southern Wild from this same Oscar race. The imaginative nature of the movie and the performances were just superb. But Argo is the type of movie that can be Oscar bait - the historical drama. And with Beasts being that director's first movie, to be even considered and nominated really is an achievement.